About my writing

As a child I was always writing, and even from aged four I longed to be an ‘arthur’ of storybooks. But it took the shock of my 40th birthday to make me start writing fiction seriously. I took the Creative Writing MA at Birkbeck, graduated with Distinction in 2016 and was rewarded with their 2017 Sophie Warne Fellowship for an Emerging Writer: a writer’s residency at Cove Park, a multi-discipline artists’ retreat in Scotland.

Later that year, my gothic short story A Real Keeper, set during the New York blackout of 2004, won runner-up in a Daphne du Maurier-themed competition run by Stylist magazine and Virago.

Visualising a scene set in a particular place is usually my way into a new story. In my twenties and thirties I was fairly itinerant, living and working as a travel writer and advertising creative in Paris, Bologna, Sydney, New York and Edinburgh.

I’m currently working on a revenge drama, which might loosely be described as Alys Always meets Carrie. Its working title is ORDINARY WOLVES and it’s set on a wind-swept coast in Devon –– a place that is very close to my heart.

I have another novel sketched out while I edit Ordinary Wolves. This is set in a safe-house for the homeless in France and titled The Volunteer. A female-led coming of age story with shades of The Go-Between and One Flew Over the Cuckoo’s Nest.

I find the themes that surface when I write tend to be gender politics and power, sexuality, shame and guilt, sisterhood, female friendships and motherhood. Among the many living writers I admire are: Elena Ferrante, Elizabeth McCracken, Chimamanda Ngozie Adichie, Harriet Lane, Curtis Sittenfeld, Lawrence Osborne, Claire Fuller, Edward St Aubyn, Jhumpa Lahiri, Helen Simpson and the hilarious and brilliant Lorrie Moore.

My degree was in modern languages and medieval literature so I also have a great love of European literature old and new (particularly French and Italian) and have been developing an idea for a YA novel based on Dante’s Inferno.